forcedrhyme:

candycoateddoom:

itsgonnabeshawsome:

Goodbye Shawn.

The gymnastics world will miss you

Reblogging purely for the gif at the bottom. Another Tribute falls. 

*sound of the cannon*

(via fyeahgymnastics)

happywhoviansquirrel:

Les Miserables: 10th Anniversary, 25th Anniversary and 2012 movie.

(via cosettespeaks)

holla-mishamigos:

6 Favourite Photos of Jim Parsons

gosh i’m good at this

(via big-bang-theory)

wowfunniestposts:

this blog is hilarious

simpledisneythings:

Friendship is a single soul dwelling in two bodies.

(via gaylienz)

speechimpediment:

When I grow up I want to be…

(via odettenoire)

Anticipation is high for the Dec. 14 release of the big-screen version of one of the most popular stage musicals ever. Though cinematic interpretations of Broadway shows have become more commonplace since Chicago took the 2002 best-picture Oscar, Les Mis represents a new phase in the evolution of the movie musical.

The tale of love, redemption and social unrest that unfolds in 19th-century France — whose dialogue, along with such showstopping numbers as On My Own, is completely sung — will feature live performances instead of following the tradition of actors lip-syncing to a pre-recorded track.

Tom Hooper, Oscar-winning director of The King’s Speech, wouldn’t have it any other way.

“If you are miming to a playback, even if the synchronization is done very well, there is a part of you that knows something is off, something is false,” he says. “When it’s live, you believe it so much more. The actors have complete freedom rather than following a recording done three months before.”

Hooper says the results deliver those “spine-tingling moments” he appreciated when he saw the stage show. Fans will get to hear a sampling when a Les Mis teaser premieres on MSN.com Wednesday before it hits theaters Friday.

(via jumpingmormons)